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CITA
Master Arts Theatre
presents the encore production of

C. S. Lewis'

The Screwtape
Letters

by Nigel Forde,
with special permission from Dramatic Publishing Co.
and the CS Lewis Company

July 30 - August 1, 2009
Thursday, Friday and Saturday at 7:30 PM
Saturday Matinee at 2:00 PM

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MASTER ARTS THEATRE

75  77th STREET SW
(Formerly Vee St.)
(2 Blocks South of 76th Street off Division SW)

Thurs Fri Sat
July 30

 

7:30

31

 

7:30

Aug 1

2:00

7:30

Box Office Volunteers are needed please call our office at 616-455-1001
 

TICKETS
Adults $14.00
Senior Citizens $12.00
Students $12.00

 

call MASTER ARTS THEATRE

(616) 455-1001

 

Screwtape gives Wormwood detailed advice on various methods of undermining faith and promoting sin in an earthly man, known only as "the Patient.". C.S. Lewis provides a series of lessons in the importance of taking a deliberate role in living out Christian faith by portraying a typical human life, with all its temptations.
By degrees, we come to see the workings of evil in our own hearts. It is that evil in our everyday lives that Screwtape addresses, petty evils that add up in the end to the destruction of our morality, the demise of our individuality and the utter destruction of our souls.
The story is sprinkled with advice from Screwtape, telling Wormwood what he must do to gain the soul of a Christian for the underworld. This mostly involves "muddying the waters". That is: not allowing the "patient" to clearly see the truth. Thus we are shown how evil is overcome by simple, clear actions and thought.

 

Seating Arrangement
(Click Here for Larger Picture)

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The Screwtape Letters: A review.

On Saturday May, 16th, we turned down the very short road of 77th St just off of Division for a play that Ellen was acting in. The "playhouse" was obviously a converted church now called the Master Arts Theatre. My excitement and optimism was quickly diminished by the outside appearance of the building. And as I walked into the theater, both waned even more as i saw simply two rows of seats on one side and three rows on the other. The stage lay in the middle about 15' x 40' in total area. The set was average if not a little plain. I settled in my chair simply ready to support my friend.

Friends, no matter how many times i learn this lesson i seem to have to learn it again and again: NEVER JUDGE A BOOK BY ITS COVER.

Simply put, within minutes my skepticism was replaced by utter involvement. Involvement is the right word because when you sit literally feet away from the actors and the action, you are involved. you see the sweat, feel the spit, sense the tension, and experience the drama in a way you simply can't from a distance.

But even that would not have been so effective if it wasn't for the players themselves.

But let's begin with the play itself. The Screwtape Letters is surely a fictional story by C.S. Lewis about a school for demons being educated in the ways of tempting humans. Though as accurately as Lewis nails the human condition it makes one wonder if the story really is fictional.

The story centers around Screwtape, a teacher at the Tempters College and Wormwood, the star pupil who just lost one of his "patients" to the Enemy (God). What ensues are their attempts to cause the patient to stumble, be tempted, become ineffective or as least as uninterested in Christianity as possible.

What the building lacked in charm and appeal was made up in spades by the absolutely outstanding acting by everyone involved. And this is where the smallness of the theater really pays off and it will be hard to ever watch the dramatic arts in any other forum.

Screwtape was phenomonal. Played by an extremely talented woman who quotes so many lines that one could forgive the occasional slip either in line or in character. But there is nothing to forgive here. The performance is perfect and nearly flawless. The emotion shown is raw and real. I have been in plays. I know what it takes to get into character and try to make lines that you have studied for months look like its the first time your saying them and with the proper emotion. Screwtape not only nails the lines but does so without any seeming effort and with a viciousness that the character requires.

Make no mistake, all the characters in this play are good and well-casted, but Screwtape is the star.

Wormwood is the star pupil. Eager to please, ready to lie, cheat and steal his way to the top and yet doubtful that humans can be so stupid to believe their lies. The actor playing Wormwood had a natually oily quality to him and carried off the role easily.

All the actors did very well and I love when I am caught totally off-guard by something. I have a completely new respect for small theater and if I am honest, there was more talent in this small once-church than nearly all of Hollywood.

The play adds quite a bit more than CS Lewis's small tome but everything in it i felt necessary to the proper telling of the story. It is set in the history of World War II, which is the perfect setting for all the fears we face today in the psychology of the human condition. It tells how devils will do anything to distract, cause doubt, make ineffective, make us see ourselves as righteous, and use others to keep us from their Enemy. Materialism, self-righteousness, legalism, complacency, romantic interest, fear, doubt and even death. All things we struggle with without any help from those graduating from the Tempters College.

It amazed me how often I found the particular themes resonating within my soul. Much to my shame.

The show ends in hair-raising fashion. I was wide-eyed and nearly breathless as climax and conclusion escalated the performances to the best of the night. Truly thrilling, especially being so close. There is a twist at the end (which i did not see coming and i absolutely love to be surprised at the end) and there is only one question left unanswered. What happens to Wormwood?

I would not only recommend this play to anyone but the next time it comes to town I would take the youth group, my kids, ask if i could video tape it and post it on youtube! I will now read the book that inspired it.

Thank you, Master Arts Theatre. Thank you for living up to your name and thank you for "involving" us in your play. Well done. Well done.

On a personal note: Ellen was awesome. Only a few lines but played with gusto and precision. And next time she says something to you, ask her to repeat it in her Scottish accent!